![hiro big hero 6 hiro big hero 6](https://www.rotoscopers.com/wp-content/uploads/2014/09/big-hero-6-clip-baymax-hiro.png)
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But it’s also a melding of old and new modes of animation, in which the tactile artistry of the past co-exists with the hyper-detailed, computer-generated present.īig Hero 6 is a useful reminder that pop culture isn’t only an escape from reality, but a way of facing up to it, head-on and reinvigorated Big Hero 6, which is based very loosely on a defunct Marvel Comics series, is pitched as a cymbal-clash of eastern and western pop cultures – a rainbow-toned, up-to-the-microsecond story of superheroes and robots, set in a shimmering hybrid city called San Fransokyo. It’s this kind of old-fashioned physical comedy – unfussily staged, meticulously timed, and, crucially, uproariously funny – that underpins what’s probably the most visually extravagant and hi-tech animation Disney has produced to date. In one scene, while edging through his 14-year-old owner’s bedroom, his bottom sweeps the bookshelf clean. Squeezing through human-sized spaces involves much careful shuffling and stooping, and sometimes a partial deflation. The indisputable star of Big Hero 6, the latest film from Walt Disney Animation Studios, is a ten-foot-tall inflatable robot who’s impeccably well-mannered at all times, even though he and the world at large are not quite mutually compatible. If science were ever able to blend Monsieur Hulot with an orthopaedic mattress, the result would be something like Baymax.